Exhibit
All Nations Shall Flow unto It
An international collection of artwork inspired by the Salt Lake Temple and faith in Jesus Christ.
45 N W Temple St, Salt Lake City, UT 84150
About
Currently closed for renovation. Opening winter 2026.
All Nations Shall Flow Unto It explores the worldwide significance of the Salt Lake Temple through artwork created by people from many cultures and countries.
As you move through the exhibit, you’ll encounter paintings, textiles, sculptures, and other expressions that interpret the temple as part of the artist’s faith. Some pieces emphasize beauty and craftsmanship, while others reflect worship, covenant, family, or a sense of belonging. Together, the collection illustrates how people across the world connect spiritually with the temple and with Jesus Christ.
All Nations Shall Flow Unto It explores the worldwide significance of the Salt Lake Temple through artwork created by people from many cultures and countries.
As you move through the exhibit, you’ll encounter paintings, textiles, sculptures, and other expressions that interpret the temple as part of the artist’s faith. Some pieces emphasize beauty and craftsmanship, while others reflect worship, covenant, family, or a sense of belonging. Together, the collection illustrates how people across the world connect spiritually with the temple and with Jesus Christ.
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Things to Do Nearby
Exhibit
A Firm Foundation
Church History MuseumA hands-on exhibit helping families explore what it means to build on a strong foundation.
Landmark
Deuel Cabin
One of Salt Lake Valley’s oldest surviving pioneer homes, built by Latter-day Saints in 1847.
Landmark
City Creek Arch
A historic stone arch in the Temple Square wall marking where City Creek once flowed through the block.
Landmark
Restoration of Sealing Keys
A statue of Elijah giving Joseph Smith and Oliver Cowdery the sealing power to bind families forever.
Landmark
Restoration of the Aaronic Priesthood
A statue showing John the Baptist restoring the Aaronic Priesthood on Joseph Smith and Oliver Cowdery in 1829.